About

I'm Greg Restall, and this is my website. I work in Philosophy at the University of Melbourne. [Email: greg at consequently.org; Skype: greg_restall; Post: Department of Philosophy, University of Melbourne, Parkville 3010, Australia.]

Writing

These are the three last modified entries on my writing page.

  • “Truthmakers, Entailment and Necessity 2008,” an addendum to “Truthmakers, Entailment and Necessity,” to appear in Truth and Truth-making, edited by E. J. Lowe and A. Rami, Acumen, 2008.
  • [with Rebecca Kukla and Mark Lance] Appendix to Rebecca Kukla and Mark Lance ‘Yo!’ and ‘Lo!’: the pragmatic topography of the space of reasons, Harvard University Press, to appear.
  • “Curry’s Revenge: the costs of non-classical solutions to the paradoxes of self-reference,” in The Revenge of the Liar, ed. JC Beall, Oxford University Press, pages 262–271, 2008.
  • “Anti-Realist Classical Logic and Realist Mathematics,” under revision.
  • “Proof Theory and Meaning: on second order logic,” to appear in the Logica 2007 Yearbook, Filosofia.

Loud

Sometimes music is best heard at volume. A case in point? The second movement of Shostakovich’s String Quartet No. 8. I recommend the Fitzwilliam String Quartet recording. (The Emerson Quartet’s recording is available on iTunes, but the Fitzwilliams’ isn’t.)

(Apologies to our next door neighbours. I’m enjoying my last bout of loud music at home before we travel and don’t have access to a decent sound system.)

That is all.

Posted 05:03 PM on July 11, 2005

Comments

I also like Shostakovich. I also recommend the following pieces by Villa-Lobos: Bachianas especially Bachinas #2 and 5, and Discovery of Brazil, Suite no.2: Adagio sentimental, as well as his African Dances and Ginasteras. I guess your neighbours will also enjoy them.

Meanwhile, there is a new version of the paper I have sent you, if you want to take a look.

Tony Marmo [TypeKey Profile Page], July 11, 2005 11:23 PM

That quartet is one of Shostakovich’s best use of his initials in music. I’ve only got the Emerson recording, which I definitely like. I remember the first time I specifically listened to the quartet, when I was in the Tower Records at Lincoln Center, just about to watch Das Rheingold at the Met. The Emerson Quartet cycle was in the process of being released, and they had released no. 8 alone as a CD single and it was available for listening at the listening booth in the store. It was quite an odd prelude to the Wagner, being moving in such a different way.

Kenny Easwaran , July 15, 2005 05:05 PM




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